Hidden behind a layer of thin transparent paper are drawings, based on masterpieces from Berlin museums. Their contents can certainly be viewed critically from today's perspective, whether because they show people of color in the role of submissive servants or because they aestheticize violence against a boy, stage the preamble to a rape, incestuous acts, the marriage between an adult and a child, or address the pedophilic, sexist, and sodomistic gaze.
All this is hidden from view in the series "Intimacy ob Judgment" and can only be researched via the inventory number of the museum indicated in the title of the work. Or you can take the enclosed cutter knife, cut the transparent paper and expose the drawing.
Where pictures were otherwise showered with acid, burned, or slashed open so that they could no longer be seen, here destruction has to be used in order to see.

Hidden behind a layer of thin transparent paper are drawings, based on masterpieces from Berlin museums. Their contents can certainly be viewed critically from today's perspective, whether because they show people of color in the role of submissive servants or because they aestheticize violence against a boy, stage the preamble to a rape, incestuous acts, the marriage between an adult and a child, or address the pedophilic, sexist, and sodomistic gaze.
All this is hidden from view in the series "Intimacy ob Judgment" and can only be researched via the inventory number of the museum indicated in the title of the work. Or you can take the enclosed cutter knife, cut the transparent paper and expose the drawing.
Where pictures were otherwise showered with acid, burned, or slashed open so that they could no longer be seen, here destruction has to be used in order to see.

Hidden behind a layer of thin transparent paper are drawings, based on masterpieces from Berlin museums. Their contents can certainly be viewed critically from today's perspective, whether because they show people of color in the role of submissive servants or because they aestheticize violence against a boy, stage the preamble to a rape, incestuous acts, the marriage between an adult and a child, or address the pedophilic, sexist, and sodomistic gaze.
All this is hidden from view in the series "Intimacy ob Judgment" and can only be researched via the inventory number of the museum indicated in the title of the work. Or you can take the enclosed cutter knife, cut the transparent paper and expose the drawing.
Where pictures were otherwise showered with acid, burned, or slashed open so that they could no longer be seen, here destruction has to be used in order to see.

Hidden behind a layer of thin transparent paper are drawings, based on masterpieces from Berlin museums. Their contents can certainly be viewed critically from today's perspective, whether because they show people of color in the role of submissive servants or because they aestheticize violence against a boy, stage the preamble to a rape, incestuous acts, the marriage between an adult and a child, or address the pedophilic, sexist, and sodomistic gaze.
All this is hidden from view in the series "Intimacy ob Judgment" and can only be researched via the inventory number of the museum indicated in the title of the work. Or you can take the enclosed cutter knife, cut the transparent paper and expose the drawing.
Where pictures were otherwise showered with acid, burned, or slashed open so that they could no longer be seen, here destruction has to be used in order to see.

Hidden behind a layer of thin transparent paper are drawings, based on masterpieces from Berlin museums. Their contents can certainly be viewed critically from today's perspective, whether because they show people of color in the role of submissive servants or because they aestheticize violence against a boy, stage the preamble to a rape, incestuous acts, the marriage between an adult and a child, or address the pedophilic, sexist, and sodomistic gaze.
All this is hidden from view in the series "Intimacy ob Judgment" and can only be researched via the inventory number of the museum indicated in the title of the work. Or you can take the enclosed cutter knife, cut the transparent paper and expose the drawing.
Where pictures were otherwise showered with acid, burned, or slashed open so that they could no longer be seen, here destruction has to be used in order to see.

Hidden behind a layer of thin transparent paper are drawings, based on masterpieces from Berlin museums. Their contents can certainly be viewed critically from today's perspective, whether because they show people of color in the role of submissive servants or because they aestheticize violence against a boy, stage the preamble to a rape, incestuous acts, the marriage between an adult and a child, or address the pedophilic, sexist, and sodomistic gaze.
All this is hidden from view in the series "Intimacy ob Judgment" and can only be researched via the inventory number of the museum indicated in the title of the work. Or you can take the enclosed cutter knife, cut the transparent paper and expose the drawing.
Where pictures were otherwise showered with acid, burned, or slashed open so that they could no longer be seen, here destruction has to be used in order to see.

Hidden behind a layer of thin transparent paper are drawings, based on masterpieces from Berlin museums. Their contents can certainly be viewed critically from today's perspective, whether because they show people of color in the role of submissive servants or because they aestheticize violence against a boy, stage the preamble to a rape, incestuous acts, the marriage between an adult and a child, or address the pedophilic, sexist, and sodomistic gaze.
All this is hidden from view in the series "Intimacy ob Judgment" and can only be researched via the inventory number of the museum indicated in the title of the work. Or you can take the enclosed cutter knife, cut the transparent paper and expose the drawing.
Where pictures were otherwise showered with acid, burned, or slashed open so that they could no longer be seen, here destruction has to be used in order to see.

Hidden behind a layer of thin transparent paper are drawings, based on masterpieces from Berlin museums. Their contents can certainly be viewed critically from today's perspective, whether because they show people of color in the role of submissive servants or because they aestheticize violence against a boy, stage the preamble to a rape, incestuous acts, the marriage between an adult and a child, or address the pedophilic, sexist, and sodomistic gaze.
All this is hidden from view in the series "Intimacy ob Judgment" and can only be researched via the inventory number of the museum indicated in the title of the work. Or you can take the enclosed cutter knife, cut the transparent paper and expose the drawing.
Where pictures were otherwise showered with acid, burned, or slashed open so that they could no longer be seen, here destruction has to be used in order to see.

Hidden behind a layer of thin transparent paper are drawings, based on masterpieces from Berlin museums. Their contents can certainly be viewed critically from today's perspective, whether because they show people of color in the role of submissive servants or because they aestheticize violence against a boy, stage the preamble to a rape, incestuous acts, the marriage between an adult and a child, or address the pedophilic, sexist, and sodomistic gaze.
All this is hidden from view in the series "Intimacy ob Judgment" and can only be researched via the inventory number of the museum indicated in the title of the work. Or you can take the enclosed cutter knife, cut the transparent paper and expose the drawing.
Where pictures were otherwise showered with acid, burned, or slashed open so that they could no longer be seen, here destruction has to be used in order to see.